or
Bibliography for:
Approved 6 Sep 2024

Humankind and Moving Images (GBQ2U3)

H3J2K (Autumn 2024, 100%, Day, Normal, Falun, Round 1, ORD)

Literature

  • Axelson, T. (2017). Movies and the Enchanted Mind. YOUNG, 25(1), 8-25. DOI: 10.1177/1103308816668920
    Journal
  • Barthes, R. (1977). Rhetoric of the Image. In R. Barthes (Ed.), Image Music Text ( pp. 32-51). Fontana Press.
    Chapter in book
  • Bateman, J. A. (2013). Multimodal Analysis of Film Within the Gem Framework. Ilha do Desterro, 0(64), 49-84. DOI: 10.5007/2175-8026.2013n64p49
    Journal
  • Bateman, J., & Schmidt, K. (2011). 3. Constructing the Semiotic Mode of Film. In J. Bateman, & K. Schmidt (Ed.), Multimodal Film Analysis: How Films Mean ( pp. 75-98). Routledge.
    Chapter in book
  • Björkvall, A. (2019). Den visuella texten: Multimodal analys i praktiken (2nd ed.). Studentlitteratur. ISBN: 9789144132747
    Book / Anthology
  • Cutting, J. E. (2005). Perceiving Scenes in Film and in the World. In J. Anderson, & B. Fisher Anderson (Ed.), Moving Image Theory: Ecological Considerations ( pp. 9-27). Southern Illinois Univ. Press.
    Chapter in book
  • Cutting, J. E., Brunick, K. L., & Delong, J. E. (2011). How Act Structure Sculpts Shot Lengths and Shot Transitions in Hollywood Film. Projections, 5(1), 1-16. DOI: 10.3167/proj.2011.050102
    Journal
  • Davies, D. (2008). Vision, Touch, and Embodiment in The Thin Red Line. In D. Davies (Ed.), The Thin Red Line ( pp. 45-65). Routledge.
    Chapter in book
  • Eidsvik, C. (2005). Background Tracks in Recent Cinema. In J. Anderson, & B. Fisher Anderson (Ed.), Moving Image Theory: Ecological Considerations ( pp. 70-78). Southern Illinois Univ. Press.
    Chapter in book
  • Ferencz-Flatz, C., & Hanich, J. (2016). Editor’s Introduction: What is Film Phenomenology?. Studia Phaenomenologica, 16, 11-61. DOI: 10.5840/studphaen2016161
    Journal
  • Foss, E. G., & Burgess, M. Ø. (2020). Optimism And Alienation - Colour Schemes and Soundscapes as Means for the Social Construction of Risk in Climate Education Videos. Social Semiotics, 1-23. DOI: 10.1080/10350330.2020.1838871
    Journal
  • Gibson, W. J. (2002). A Theory of Direct Visual Perception. In E. Thompson, & A. Noe (Ed.), Vision and Mind: Selected Readings in the Philosophy of Perception ( pp. 77-89). MIT Press.
    Chapter in book
  • Grodal, T. (2006). The PECMA Flow: A General Model of Visual Aesthetics. Film Studies, 8(1), 1-11. DOI: 10.7227/FS.8.3
    Journal
  • Hermansson, J. (2022). The Hero's Thematic Journeys in Advertisement Films. Konferensbidrag. 14th SRN International Conference: Globalizing Screenwriting, 22nd-24th September 2022. Department of Theatre, Film and Media Studies, University of Vienna.
    Text
  • Jewitt, C. (2009). An Introduction to Multimodality. In C. Jewitt (Ed.), The Routledge Handbook of Multimodal Analysis (1st ed., pp. 14-27). Routledge.
    Chapter in book
  • Kress, G. (2012). Multimodal Discourse Analysis. In J. P. Gee, & M. Handford (Ed.), The Routledge Handbook of Discourse Analysis ( pp. 35-50). Routledge.
    Chapter in book
  • Maran, T. (2013). Place and Sign: Locality as a Foundational Concept for Ecosemiotics. In A. K. Siewers (Ed.), Re-Imagining Nature : Environmental Humanities and Ecosemiotics ( pp. 79-88). Bucknell University Press.
    Chapter in book
  • Plantinga, C. (2009). Negative Emotions and Sympathetic Narratives. In C. Plantinga (Ed.), Moving Viewers: American Film and the Spectator's Experience ( pp. 169-197). University of California Press.
    Chapter in book
  • Sobchack, V. (2014). The Scene of the Screen: Envisioning Photographic, Cinematic, and Electronic “Presence”. In Carnal Thoughts: Embodiment and Moving Image Culture (1st ed., pp. 135-164). University of California Press.
    Chapter in book
  • Sprenger, F. (2019). Phenomenology, Immediacy, and Mediation: On Derrida, Meunier, and Landgrebe. In J. Hanich, & D. Fairfax (Ed.), Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions ( pp. 288-302). Amsterdam University Press.
    Chapter in book
  • Stam, R., Burgoyne, R., & Flitterman-Lewis, S. (1992). Cine-Semiology. In R. Stam, R. Burgoyne, & S. Flitterman-Lewis (Ed.), New Vocabularies in Film Semiotics: Structuralism, Post-structuralism, and Beyond ( pp. 28-68). Routledge.
    Chapter in book
  • Wood, D. (2001). What is Ecophenomenology?. Research in Phenomenology, 31(1), 78-95. DOI: 10.1163/15691640160048577
    Journal
  • Yacavone, D. (2016). Film and the Phenomenology of Art: Reappraising Merleau-Ponty on Cinema as Form, Medium, and Expression. New Literary History, 47(1), 159-185. DOI: 10.1353/nlh.2016.0001
    Journal

Reference literature

  • Gripsrud, J. (2000). Mediekultur, mediesamhälle (1st ed.). Daidalos.
    Book / Anthology
  • Hayden, H. (2016). Om 'Bildens retorik'. In R. Barthes (Ed.), Bildens retorik ( pp. 9-23). Faethon.
    Chapter in book
  • Lindgren, S. (1999). Textuell analys: Semiotik och strukturalism. In S. Lindgren (Ed.), Populärkultur: Teorier, metoder och analyser (2nd ed., pp. 61-73). Liber.
    Chapter in book