Course Literature (Reading List)

Meetings with Different Music Genres for Music and Sound Design (GLP2MU)

Literature

• Fermont, C., & Della Faille, D. (2016). Not your world music : noise in South East Asia : art, politics, identity, gender and global capitalism (1st ed.). Ottawa, Ontario, Canada: Éditions Syrphe Hushush. ISBN: 9780994970503
  Book / Anthology
• Frith, S. (1996). Performing rites : on the value of popular music (1st ed.). Cambridge, Mass: Harvard University Press. ISBN: 0674661966
  Book / Anthology
• Gullö, J. (2010). Musikproduktion med föränderliga verktyg : en pedagogisk utmaning (1st ed.). Stockholm: KMH förlaget. ISBN: 978-91-88842-41-1
  Book / Anthology
• Lalander, P. (2015). Observationer och etnografi. In G. Ahrne, & P. Svensson (Ed.), Handbok i kvalitativa metoder ( pp. 93-113).
  Chapter in book
• Lundberg, D. (2014). "Wagners musik är bättre än den låter" : en diskussion om musikaliska genrer och kvalitet. In Bilder från musikskapandets vardag : mellan kulturpolitik, ekonomi och estetik ( pp. 19-38).
  Chapter in book
• Lundberg, D., Malm, K., & Ronström, O. (2003). Music, media, multiculture : changing musicscapes (1st ed.). Stockholm: Svenskt visarkiv. ISBN: 9185374377
  Book / Anthology
• Mattsson, H. T. (2019). Innovativ teknik i en akustisk värld. Folk och musik, 1-29. DOI: 10.33343/fom.79528
  Journal
• Kompletterande litteratur kan tillkomma.
  Text

Reference literature

• Born, G., & Haworth, C. (2017). From Microsound to Vaporwave: Internet-Mediated Musics, Online Methods, and Genre. Music and Letters, 98(4), 601-647. DOI: 10.1093/ml/gcx095
  Journal
• Borthwick, S., & Moy, R. (2004). Popular Music Genres: An Introduction (valfri). Edinburgh: Edinburgh University Press.
  Book / Anthology
• Fabbri, F. (1982). What kind of music?. Popular Music, 2, 131-143. DOI: 10.1017/s0261143000001264
  Journal
• Fredriksson, D. (2018). Musiklandskap : musik och kulturpolitik i Dalarna (1st ed.). Umeå: Institutionen för kultur- och medievetenskaper, Umeå universitet. ISBN: 9789176018262
  Book / Anthology
• Geertz, C. (1973). Thick Description: Toward an Interpretive Theory of Culture. In The Interpretation of Cultures: Selected Essays (1st ed., pp. 3-33). New York: Basic Books.
  Chapter in book
• Huber, D. M., & Runstein, R. E. (2001). Modern recording techniques (5th ed.). Boston: Focal Press.
  Book / Anthology
• Krogh, M. (2020). «Context is the new genre». Norsk medietidsskrift, 27(3), 1-15. DOI: 10.18261/issn.0805-9535-2020-03-05
  Journal
• Lena, J. C., & Peterson, R. A. (2008). Classification as Culture: Types and Trajectories of Music Genres. American Sociological Review, 73(5), 697-718. DOI: 10.1177/000312240807300501
  Journal
• (2021). Genre is disappearing, what comes next?. Retrieved 2023 December 13 from https://www.newyorker.com/magazine/2021/03/15/genre-is-disappearing-what-comes-next.
  Website
• (2023). What are internet aesthetics and subcultures? Two Aesthetics Wiki members explain. Retrieved 2023 December 13 from https://screenshot-media.com/culture/internet-culture/aesthetic-versus-subculture/.
  Website