Audissino, E. (2011). John Williams, Star Wars, and the Canonization of Hollywood Film Music. In P. Bianchi, G. Bursi, & S. Venturini (Ed.), Il Canone Cinematografico/The Film Canon (1st ed., pp. 273-278). Forum Editrice.
Chapter in book
Booy, M. (2021). Interpreting Star Wars: Reading a Modern Film Franchise (Elektronisk resurs). Bloomsbury Academic.
Book / Anthology
Brode, D., & Deyneka, L. (Eds.). (2012). Myth, Media, and Culture in Star Wars: An Anthology (Elektronisk resurs). Scarecrow Press Incorporated.
Book / Anthology
Brode, D., & Deyneka, L. (Eds.). (2012). Sex, Politics, and Religion in Star Wars: An Anthology (Elektronisk resurs). Scarecrow Press Incorporated.
Book / Anthology
Buhler, J. (2000). Star Wars, Music, and Myth. In J. Buhler, C. Flinn, & D. Neumeyer (Ed.), Music and Cinema (1st ed., pp. 33-57). Wesleyan University Press.
Chapter in book
Charles, M. B. (2015). Remembering and Restoring the Republic: "Star Wars" and Rome. The Classical World, WINTER 2015, 108(2), 281-298.
Journal
Davidsen, M. A. (2016). From Star Wars to Jediism: The Emergence of Fiction-based Religion. In E. van den Hemel, & A. Szafraniec (Ed.), Words: Religious Language Matters (1st ed., pp. 376-389). Fordham University Press.
Chapter in book
Esterrich, C. (2021). Star Wars Multiverse (Elektronisk resurs). Rutgers University Press.
Book / Anthology
Farris, A. (2018). Fan-driven Identity Narratives: The Performative Culture of Star Wars Cosplayers. New Directions in Folklore, 15(1/2), 121-140.
Journal
Golding, D. (2019). Star Wars After Lucas: A Critical Guide to the Future of the Galaxy (Elektronisk resurs). University of Minnesota Press.
Book / Anthology
Guynes, S. A., & Hassler-Forest, D. (Eds.). (2017). Star Wars and the History of Transmedia Storytelling (1st ed.). Amsterdam University Press.
Book / Anthology
Kempshall, C. (2022). The History and Politics of Star Wars: Death Stars and Democracy (1st ed.). Routledge.
Book / Anthology
King, M., & Ridgway, J. (2019). Costume Evolution During the Development of Romantic Relationships and its Impact on the Positions of Power in the Star Wars Prequel and Original Trilogies. Fashion and Textiles, 6(11), 1-15.
Journal
Lancashire, A. (2000). "The Phantom Menace": Repetition, Variation, Integration. Film Criticism, 24(3), 23-44.
Journal
McDowell, J. C. (2023). A New Myth: The Critical Study of Star Wars as Myth. In E. R. Coody, D. W. Clanton Jr., & T. R. Clark (Ed.), Understanding Religion and Popular Culture (2nd ed., pp. 32-46). Taylor & Francis Group.
Chapter in book
Proctor, W. (2013). "Holy Crap! More Star Wars? More Star Wars? What if They're Crap?" Disney, Lucasfilm and Online Star Wars Fandom in the 21st Century. Participations: Journal of Audience and Reception Studies, 10(1), 198-224.
Journal
Proctor, W., & McCulloch, R. (Eds.). (2019). Disney's Star Wars : Forces of Production, Promotion, and Reception (1st ed.). University of Iowa Press.
Book / Anthology
Rauscher, A. (2019). From Cineludic Form to Mise-en-Game: The Ludification of Cinematic Storyworlds in the Star Wars Video Games. In J. Fleury, B. H. Hartzheim, & S. Mamber (Ed.), The Franchise Era: Managing Media in the Digital Economy (1st ed., pp. 119-137). Edinburgh University Press.
Chapter in book
Searls, C. (2023). Galaxy of Things: The Power of Puppets and Masks in Star Wars and Beyond (1st ed.). Taylor & Francis Group.
Book / Anthology
Serter, S. S. (Ed.). (2021). The Light and Dark Sides of Star Wars (1st ed.). Cambridge Scholars Publishing.
Book / Anthology
Ytterligare material/litteratur om ca 100 sidor kan tillkomma enligt lärares anvisningar, och länkas eller förmedlas i kursrummet.
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